Further to my previous post referencing books re. the art of writing here follows a list of referencing material I used re. art, art-making, and artists.
As of Nov 2019. Following Harvard System as:
Author Surname, Initial(s)., (Year). Title. [Edition, if any]. Place of Publication: Publisher.
Beard, L., (ed.), (2019). Ben Nicholson. Writings and Ideas. London: Lund Humphries.
Beech, D., (ed.), (2009). Beauty. London: Whitechapel Gallery.
Berger, J., (2008). Ways of Seeing. London: Penguin Books.
Collings, M., (1999). This is Modern Art. London: Weidenfeld & Nicholson.
Dewey, J., (2005). Art as Experience. New York: Perigee / Penguin Group USA.
Elliott, B. and Wallace J-A., (1994) Women Artists and Writers. London: Routledge.
Furth, G.M., (2002). The Secret World of Drawings. A Jungian Approach. Toronto: Inner City Books.
Gaiman, N., (2018). Art Matters. London: Headline Publishing Group.
George, A., (2017) The Curator’s Handbook. London: Thames & Hudson Ltd.
Gombrich, E.H., (2018). The Story of Art. London: Phaidon Press Limited.
Gormley, A., (2019). Antony Gormley. London: Royal Academy of Arts.
Green, A., (2018). When Artists Curate. London: Reaktion Books Ltd.
Guglielmino, G., (2009). How to look at Contemporary Art (… and like it). Turin: Umberto Allemandi & C.
Hagman, G., (ed.), (2017). Art, Creativity, and Psychoanalysis. London: Routledge.
Harmon, K., (2009). The Map as Art. New York: Princeton Architectural Press.
Harmon, K., (2018). You are Here. Personal Geographies. New York: Princeton Architectural Press.
Harzinski, K., (2010). From Here to There. New York: Princeton Architectural Press.
Hegarty, J., (2015). Hegarty on Creativity: There are no rules. London: Thames & Hudson Ltd.
Hodge, S., (2018). Why your five year old could not have done that. London: Thames & Hudson Ltd.
Hopkins, D., (2018). After Modern Art 1945 – 2017. Oxford: Oxford University Press.
Hughes, R., (2005). The Shock of the New. London: Thames & Hudson Ltd.
Kirwan, J., (1999). Beauty. Manchester: Manchester University Press.
Lyas, C., (2004). Aesthetics. London: Routledge.
Marincola, P., (ed.), (2006). What Makes a Great Exhibition? Philadelphia: Philadelphia Exhibition Initiative.
Marter, J., (2017). Women of Abstract Expressionism. New Haven: Yale University Press.
Milner, M., (2010). On not being able to paint. Hove: Routledge.
Munari, B., (2008). Design as Art. London: Penguin Books.
Obrist, H.U., (2014). Ways of Curating. London: Penguin Books.
O’Doherty, B., (1999). Inside the White Cube. Berkeley: University of California Press.
Perry, G., (2016). Playing to the Gallery. London: Penguin Books.
Potter, N., (2012). What is a designer : things, places, messages [4th Ed.] London: Hyphen Press.
Rothko, C., (2015). Mark Rothko. From the Inside Out. New Haven: Yale University Press.
Rothko, M., (2004). The Artist’s Reality. Philosophies of Art. New Haven: Yale University Press.
Vann, P., (2004). Face to Face. British Self-Portraits in the 20th Century. Bristol: Sansom & Company.
Wollheim, R., (2015). Art and its Objects [2nd Ed.]. Cambridge: Cambridge University Press.